Before Star Wars made the dominant setting of pop culture Science Fiction in-space there were other stories that proposed the big “What if?” to a scientific reality and explored the repercussions of changing it. Older films didn’t have the ability to make billions of polygons dance on screen so they had to use plot and intrigue to grip an audiences attention, the ones that did survive in general knowledge to this day.
The film starts with a tenure professor’s going away party, the intention being to make final farewells to his friends of the last ten years. The last remnants of his packing that are on show and spark questions that lead to the idea that he proposes to the group: “What if a man, from the Upper Palaeolithic survived until the present day?” The academics and guests proceed to follow the hypothesis through conversation and enquiry.
Despite only the briefest of movements on the porch the stage is the hosts lounge with the story progressing purely through the parties discussions. The dialogue grips your attention so much that you easily imagine entire realms of possibilities about when and what the ‘caveman’ experienced.
One idea presented is of the “all knowing immortal”; a 14,000 year old would only be able to learn upto the edge of published knowledge on a particular subject, the noosphere grows too fast for anyone able to keep up. As such his current preoccupation’s information would be current but the Literature Doctorate from a century ago would be mostly redundant.
Same goes for experiences, a singular viewpoint of his nearest 100 metres doesn’t allow for a great perspective of what the world was doing at any one moment. You might be able to relay key events if you’re part of them but anything important enough to be of note indirectly puts attention on you, something that could result in your secrets discovery. Such a lapse could have dire consequences since as an ageless prisoner you would be trapped in your own body with escape as your only hope whereas a mortals death or escape could be their release.
This is one of those rare films (and by proxy the book ) that deserves to be remembered for its examination of long life, something that although has been done before it is done in a way and to a greater extent that the Highlander cinema never did. A rarity with great plot writing has becoming so scarce in the mainstream.
If you enjoyed what they could squeeze into this 108 minute film then I suggest checking out the book by Jerome Bixby of the same name.
My toys when I had a single digit age were Transformers, I saw the amazing animated movie at the cinema and even dressed up as Optimus Prime for a Halloween. As such in my teenage years I daydreamed what a live action film would be like, drawing on conclusions from what I’d seen in the cinema that week, be it The Matrix, or Episode 1. As years passed I grew more and more doubtful anyone from my generation would write a screenplay to get it directed and produced. Now its 2007 and my extremely high expectations have just about been reached.
Whilst I didn’t expect blocky robots with grotesque transformations I never imagined that the Autobots and Decepticons would be depicted so authentically. All the internal parts of the vehicle modes are visible in the humanoid form which is absolutely breathtaking, I don’t care how much it cost to render all the frames at 38 hours each it was worth every penny. However, now that the initial thrill is over I bet in the sequel (and there blatantly has to be one) there are more panels covering the mechanical organs, probably ret-con’d in as armour now that they are warring again.
Showed me something uncommon then, and a rarity now; for once the good guys didn’t always win outright at the conclusion of that weeks episode but they did eventually triumph in that particular story arch which meant that anything could happen and kept me guessing each week and inspiring me to work it out with my toys. With the eighties show being so iconic I assumed that the film might do the same, whilst the tale didn’t regale me as a beloved intrepid leader falling at the hands of the enemy the special effects did, something progressively harder in these insensitive times.
As for the toys, I owned Optimus Prime, both the original version and the Power Master version. I did not have Megatron, which is easily forgiveable because his alt mode was a pistol and given one of them to a kid is not something I would be entirely happy with today, toys guns should look like toys, plastic and brightly coloured. Maybe I’m being to PC but there are many parents not being protective enough out there and others being too much, if I fall into the ‘to much’ category on this issue so be it. Anyway, with the detail on the transformations being so high I’m interested to see how they engineer the newline of toys…
Hopefully you’ve kept reading to this point and as such I’ll not keep your attention much longer. This film whilst not entirely faithful to the animation that I loved so much is a fantastic watch. An entertaining story, great effects and superb performances.
Wallpapers: Standard (4:3) and Widescreen (16:9)